
And you know what? I find the July/August issue of Poetry to be satisfying. Especially the prose (yes, really), which includes a series of vignettes/character studies of famous poets contributed by, among others, Sven Birkerts, Christopher Hitchens, Phyllis Rose, and Joseph Epstein. Much like the February "Valentine's" essays, they are compact and affecting. Funny poems by Tony Hoagland, too.

Finally, in the Summer BOMB, Matthea Harvey interviews the artist Kara Walker. I've been engaged by shows of Walker's work in Minnesota and New York: she uses racially- and sexually-charged antebellum images, usually in stark silhouettes applied directly to white museum walls. She took flack when she became one of the youngest ever MacArthur "Genius" grant recipients--some fellow African American artists charged she was exploiting their history, depicting her people as "savages." But you can't deny the power of ther work, or the value of the conversations it provokes. The fact that she produces such detailed shapes in cut paper is a tribute to her craft.

In October, the Whitney Museum of American Art will host Kara Walker: My Complement, My Enemy, My Oppressor, My Love.
1 comment:
Thanks for pointing to the VQR essay on Brad Will. He was two years behind me at Allegheny College, but I did know him and was stunned to read about his death in the most recent alumni newsletter.
I so admire anyone who puts themselves at risk to tell these stories that must be told.
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