October 13, 2010

The Unemployment Show!

On Friday, October 1, I had the pleasure of driving up to Pittsburgh to be a guest on Dave English's "The Unemployment Show," which is hosted at the Schmutz Lodge on 5405 Broad Street (Garfield neighborhood, for those who know the city). 
We had amazing craft services via "The Goodie Truck," which pulled up to the Lodge an hour before the show to sell sweets.  
The three-story Lodge, which has uneven stairs, squeaky floors, a demonic resident cat named Toots, and a lot of charm, doubles as Dave's house. Dave--an incredibly talented puppeteer and artist in his own right--has generously turned his space into an artist-residency, meaning there was plenty of amazing work on display, both his and that of others. Like cork people. 



Or a chair-cum-attack dog. 

Or an embroidered tank. 
As for the show itself...We laughed, we cried, we gave away some strange prizes. We had a band playing over our heads. The full show can be viewed via the series of YouTube clips below. Enjoy!














October 10, 2010

Hijinks in My City

Between being on the road and moving Don't Kill the Birthday Girl through the first round of edits, I've been a little frantic disheveled busy. But when I learned an old friend's job was about to be sent him to the West Coast for four months, we decided a night out was in order. Off to the H Street neighborhood, an emerging section of Northeast DC.

The first time I ventured over there was a few years back, to hear Alexi Murdoch at the Rock & Roll Hotel. The strip was rough--my friend, working sound at the club that night, insisted on walking me just the three blocks back to my car. H Street has come a long way since then but there is still a lot of raw construction and empty store fronts. But there's also Sticky Rice, which serves sashimi and tater tots with equal flair--and hosts speed bingo Thursdays. Sidamo pours organic, fair-trade, shade-grown coffee. The chef at Granville Moore was featured in a Throwdown with Bobby Flay over his moules-frites...and our guy won. 

This fall, two of the early H Street mainstays--The Red & the Black, a New Orleans-style bar, and the burlesque-friendly and oddity-filled Palace of Wonders--are combining forces to reopen as "The Red Palace." There will be music and vaudeville; I hope they bring the novelty acts back. Nothing like a martini to be swallowed with a side of...swords. Or fire. 

Anyway, last night we went to Ethiopic. DC is renowned for its Ethiopian food, mostly available in a 9th & U Street NW DC neighborhood at the edge of Shaw sometimes referred to as "Little Ethiopia." Ethiopic isn't putting on any great pretensions--they left a bullet hole in the front door handle, evidence of the neighborhood's not-too-distant past--but they've distinguished themselves at the outset by furnishing their space with spare, modern wood furniture (though traditional messob woven-basket tables are available) and offering a menu that offers spicier variations on the traditional dishes.

I appreciated that their vegetarian dishes are all prepared vegan--butter is fairly prevalent in the cuisine, which usually keeps me away from the meat dishes. I got the sampler that included herbed collard greens, red lentils in red pepper sauce, tomatoes diced with garlic and jalapeno, potatoes simmered in curry, and (my favorite) yellow split peas. It's a slightly simplified variation on the dish shown here--image credit to James M. Thresher for The Washington Post, in conjunction with Tom Sietsema's June 2010 review. 

My friends had never eaten Ethiopian before, so I showed them the basics: ladling out an array of meat and veggies on the big round of bread that doubles as your plate; tearing off bits of the moist, chewy, slightly sour injera and combining pinches of different dishes; by the end nibbling on the "plate" itself, which will have sopped up any juices. So sloppy. So good. And African beer is never a bad idea, either. 

Afterwards we headed down nine blocks to H Street Country Club, whose astro-turfed portico hints at its prize jewel: an upstairs nine-hole mini golf course. Thought the putting greens are short, there's enough variety in the design to keep you interested, and the course's artsy sculptures all have a DC theme (K Street robot-lawyers; the undead Presidents; King Kong scaling the Washington monument). Fritz Hahn did a great play-by-play for The Washington Post and took this shot of a hole that combines two great icons--the majestic sculpture of "The Awakening" that used to live in Hains Point and now resides out by the National Harbor, and, um, politician Marion Barry. 

I was worried that on a Saturday night the crowd would be drunken and fratty, with long lines for each round of play, but not at all. We never had to wait for our turn, people were super-polite, and the house specializes in rather tasty high-end tequila cocktails. Afterwards, we played a few rounds of Skeeball downstairs--which at 50 cents a pop has to be the cheapest fun to be had in this city. 

Moral of the story*: get yourself to H Street! Those independent business owners need your patronage a lot more than Adams Morgan. There's even free shuttles that run from the Chinatown/Gallery Place metro station, so you can get there from the Yellow, Red, or Green lines. 

*Moral of the story (part two): I am a skeeball queen. 




October 08, 2010

TBD Does Story/Stereo

If you want a less-biased take than mine on the awesomeness that is Story/Stereo, check out this article by Ally Schweitzer of TBD. Here's the lede, plus a great photo (credit: TBD staff) of poet Allison Benis White preparing to read on stage...





Story/Stereo at The Writer's Center:
Why rock bands like to play poetry readings  
D.C. musician and producer Chad Clark wants to restore dignity to underground rock music.
"If you're in a rock band, you're traveling around in all these abject, scummy situations. [Rock music is] not treated as a high art form."
But putting underground rock music in a dimly lit auditorium, where a seated, presumably sober audience awaits their performance — now that's dignified. And we haven't even gotten to the poetry part yet.

Later in the article, I even make a cameo appearance:
At last month's event, the evening's ebullient MC, poet Sandra Beasley, scarcely masked her giddiness about sharing a stage with a bunch of rock dudes. "I wish I got to introduce the musical act!" she exclaimed. ("Musical act" being how a Barnard Women Poets Prize winner says "band.")
For the record, I'm not a total nerd. My wording was purposeful: I went with "musical act" because I knew that multiple incarnations of acts featuring John Davis (including a Q And Not U reunion) were about to come to the stage. But we had only advertised it in terms of the one band, Title Tracks, I didn't want to spoil the surprise.


Okay, for the record, I am a total nerd. I can own it.


[Thanks to TBD, full text HERE, and hope to see you at tonight's reading...]