I loved Angie's work, particularly "Apologia at Clinchfield Yards," which you can read here thanks to Poetry Daily (it first appeared in The Threepenny Review). The poem pulls no punches; the Clinchfield Railroad Yard near Erwin, Tennessee, was the actual hanging site of Mary the elephant. There's a photo you can find online, but I can't bear to post it here. "Apologia" now ranks alongside Dan Chiasson's "The Elephant" in my kingdom of favorite pachyderm poems.

MEDITATE FROM SEA TO SEA
Let America be America again.
Ice-age ambiance. Later a mira-
cle air: a meat mania, ice-barge,
ice-amble. A tie. Agrarian came
later, Inca came, a bare image I
bear. An Eric came, agile at aim
(let America be a maniac, I rage).
Italian came--macabre, I agree.
Came Iberia, came Angle, a rat I
Rate, a marine bilge. Came a CIA
angelic era, a tame iambic ear.
Bacteria came in a mire, algae
era. Militia came, began a race,
a crime, eager aim, Cain at Abel.
At Abe L. Imagine a ceramic era,
ceramic ear: I am it. A lab. A gene
I age. A meme trace. A bicranial
air age, a bicameral cinema, et
cetera, a manic beige malaria,
a carnage. American I let be. I am
a cameraman, I create a big lie
(let America be a camera I gain),
I am a cabaret emcee, a girl in a
Miami tribe, an eagle, a car, ace
Airman. Elegaic America, a bet:
let America be a magic arena I
anagram. I bet I care (came a lie,
a clear image), I bet America an
animal acreage, I bet America
beer I can amalgamate air, ice-
berg. An ale. Ace-at-ear, I mimic a
man (bare me) I glaciate Americana--
I’m a rain. Let America be a cage;
I remain a gate, a Mecca. I blare
Niagra, I accelerate, maim, be
a beam, I emanate a grail, Circe
mirage. America, a neat cable I
tie in. America, a gala embrace.
Let America be America: a gain.
#
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