Wake at 7 AM because of footsteps overhead. Refuse to wake. Wake at 8:32 AM, realize that unless I'm of bed by 8:40 AM, I will miss breakfast. Haul out of bed and into slippers. Slap contacts in.
If there is fresh oatmeal, go for it it; otherwise the usual breakfast of almonds and a banana, orange juice (ducking back to the fellow's fridge for a pour of my personal stash); either way, two cups of coffee. If they happen to take the coffee back at 8:57 AM without fixing a fresh pot, there will always be someone who dashes in with an empty thermos. There will be a mournful sigh as they settle for leftover decaf.
Snuggle back under the electric blanket I remembered to bring from last time (thank goodness). Do a round of Facebook, Twitter, email, so the world knows I have not vanished entirely. Work out, and pray no passerby complains about overhearing my Cee Lo Green from under the door. Wander to the studios at 1:30 PM for an intentionally late lunch, because I can't handle the hum & scrum of the conversation.
Each day I aim to do one practical thing (a query, a manuscript critique, an interview) and one creative thing. I flirt around with the practical, break for tea at 3 PM--a way to bring heat into my studio. The practical thing gets done before the 6 PM dinner hour.
Dinner: Meet the new fellow arrival, ponder the allergy dangers of the latest house salad dressing (roasted red pepper vinaigrette? yes...cilantro & lime? hmm), navigate the politics of sharing one small bottle of wine among a table of six.
We talk what we did today, what we'll do tomorrow. Weather. We talk the taxonomy of pears. We talk about crazy grand-aunts we didn't know about until we researched the memoir. We talk New York. We talk Iowa. We echo distant blips of news from the outside world. We talk what we're talking a break from, what we're running toward.
Find another night owl and walk back to the studios. Pour a scotch. Get to real work. Last night, I wrote a poem for an ongoing sequence and--as I push-pinned it to the wall--it formalized a space for another as-yet-unwritten poem. Rhythm sustains rhythm. Working hands you the work you need to do. Is it exotic? No. It's home.
3 comments:
Having had a similar writing experience in Italy here's a question.
Is it better to write from a place that feels like home or a place that holds that feeling of the exotic?
http://www.blogger.com/post-create.g?blogID=3198608842820790093
I fell upon your blog and its awesome! I just created a blog myself about poetry and I hope you check it out!
I like these photographs quite a bit.
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