__Chicks Dig Poetry__

...occasional postcards from Washington, D.C. writer Sandra Beasley...

September 23, 2008

Whitman-under-glass (from Linebreak)

-Are formal aspects the loom the text is woven across, or the skeleton upholding the flesh?

-Do you regard poems as gems to be polished and ultimately mounted, or plants to be cultivated and ultimately abandoned?

-Do you advance poetry along a ladder of promotion, or do you encourage poetry to replicate itself as if a genetic strain?

-Is your ultimate legacy as a poet measured in pages, or in faces?
Sandra at 9:22 PM

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Sandra
Washington, D.C.
My collections include Made to Explode; Count the Waves; I Was the Jukebox, which won the Barnard Women Poets Prize; and Theories of Falling, which won the New Issues Poetry Prize. In 2018, I served as the editor for Vinegar and Char: Verse from the Southern Foodways Alliance. I am also the author of a disability memoir, Don't Kill the Birthday Girl: Tales From an Allergic Life, which doubles as a cultural history of food allergy. My prose has appeared in The Washington Post, The New York Times, Poets & Writers, and multiple anthologies. www.sandrabeasley.com
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